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Tag Archives: flash

Hoop dreams

Being someone who is 6 ft. 6 in. tall, every so often I am asked the question, “Did you ever play basketball?” Aside from informal pick-up games with friends on the playground, I never played organized ball in school. I was always drawn more to sports like baseball and cycling. But I’ve always enjoyed watching basketball and following the progress of certain teams and athletes, both professional and collegiate.

So I was very excited to have the opportunity early in 2011 to photograph a couple of University of Richmond basketball players at the campus’ Robins Center arena. Brittani Shells and Justin Harper were two standout players who’ve gone on to play for professional teams since graduating last spring, Shells with a team in Israel and Harper with the Orlando Magic of the NBA.

With each of them I wanted to create a portrait that was somewhat unique, and not simply a headshot of them holding a basketball. Way too many of those kinds of media shots out there. With Brittani, I wanted the camera to have a very low viewpoint, so that she would appear more prominent in the setting. This meant I had to be flat on my stomach with camera at the floor, looking up. Being a tall photographer, getting myself smaller is always a challenge I’m faced with when doing shoots. I also wanted dramatic light, so I lowered the ambient (available) light of the arena with the exposure and lit Brittani exclusively with off-camera flash, one to camera right through an umbrella and one to the left for a slight edge light. I may also have had the on-camera pop-up flash triggered for a slight fill light.

For Justin, I did some shots of him on the court with the basket in the background, but then moved to a second location, the seats near courtside. One thing I had underestimated with the 6 ft. 10 in. senior was getting his huge frame into a spectator’s seat (something I should have realized, as I am always apprehensive about things like movie theatre and airline seating myself! Where to put the knees?) This setting also required a step-stool for me to get up to his eye-level while shooting, always a handy thing to bring along on a shoot! I wanted his shots to be somewhat more relaxed and not as “game-time” intense, so I tried to keep up some light conversation as I shot, to hopefully, capture a genuine moment with him. The lighting setup was somewhat similar to Brittani’s, with the key light on the right and rim light above and to the left.

They were really great to work with during these shoots, and I’m so proud to see these two student-athletes go on to fulfill their dreams of playing basketball after college. Good luck Brittani and Justin! And go Spiders!

Happy lighting, under pressure

I had a great time at the KelbyTraining photography seminar yesterday in Washington, D.C. Renowned photojournalist and magazine photographer, Joe McNally, lead the attendees through a series of setups, showing various lighting techniques using small flashes that are very helpful especially when there is little time allowed for taking photos—a scenario faced by just about all professional photographers.

Watching Joe’s examples and hearing his stories about the time constraints he’s faced (12 minutes for Sports Illustrated cover shoots! … barely enough time for me to get my equipment setup), made me think of my own experiences with pressure-packed picture-taking.

In March of this year, Kim and I had the great opportunity to photograph Chris and Lindsay’s wedding here in Richmond. It was a beautiful occassion and they were a fantastic couple to work with (very laid-back and accomodating), but a wedding is a wedding and we had to work with the time and circumstances that were presented to us at each moment of the day.

As with most weddings I’ve  been to, we were asked not to use flashes during the ceremony. Very understandable but a bit of a problem for the photographer who doesn’t want the participants to look like ghosts, blurring all over the church sanctuary. Taking the sage advice of my photographer friend Kevin, I chose to “embrace the insanity” of the situation and crank up my camera’s ISO setting (a measure of the camera sensor’s sensitivity to light) to stop the action as best I could. My Canon 5D Mark II allowed me to do this and still keep the graininess to a minimum. So, to ISO 2000 I went!

Another constraint we faced was not being able to get close to the front of the church when all the ceremony-action was taking place. One of the most significant moments for the couple is when the bride arrives at the front to join the waiting groom. How do you capture the emotion of that moment when you’re in the back of the church? My wife Kim came up with the idea to simply shoot it beforehand during the guys’ group shots. Just stage it. Brilliant! My instructions for the groom were: “OK Chris, think about how you’ll feel when Lindsay gets to the front here.” Beaming smile!

The wedding reception added it’s own set of challenges: huge room, dark, people moving around, lots of activity. The approach I took there was to slow the shutter way down to be able to capture the ambient light of the room (warm, active and inviting) and use a flash with a dome diffuser attached to stop the action of my subjects so they weren’t blurry. There’s no guarantee of a good shot with this technique but I got a frame at just the right moment as Chris and Lindsay arrived for the reception party. Don’t think I could have art-directed them any better in their expressions and gestures. What a party it was! Congratulations again to Chris and Lindsay!

Kim and I left for home that day totally spent but exhilirated at the experience of sharing an important part of their special day. And with a new appreciation for how photographers handle time-pressures on happy occassions.